Whenever intangible assets that meet these criteria are sold or sold by one company to another, a licence must be due. There are two types of transactions that can occur. The first involves the sale or licensing of one company to another, called a third-party transaction. In this type of transaction, Company A licenses its product or process to Company B, which pays a royalty rate for the right to use the product or process. This is the type of transaction that is most often thought of when royalties are taken into account. However, the second type of transaction, intercompany transmission, is more common. U.S. law makes it illegal for a U.S. company to transfer intellectual property rights to a foreign subsidiary, unless royalties are paid. The IRS has very strict rules that apply to all intercompany situations, and has a number of formulas that it uses to determine whether a fair royalty rate is paid. whether the investigation period is the rest after the other items have been deducted from the valuation of the stock on the market. One of the most important intangible assets could be the labour force.
In addition to the above, a fourth license has been created to allow webcasters « ephemeral recordings » of a streaming audio recording (temporary copies), but with a license fee to pay. The following graph shows the licensing sequences for performance and the pricing and distribution process in the UK.  Each song or recording has a unique identity with which it is authorized and prosecuted. Details of songs or recordings are communicated to THE PROs directly or via Catco, an electronic tracking system. It should be noted that flat-rate licenses are generally granted to music users, but they are responsible for « returns of use » – the actual frequency of licensed performances – which then become the basis of the PRO to distribute transformations to authors, publishers and record companies. (« DIY-Indies » are independent songwriters of « Do-it-yourself » – and often performers – who record and publish under their own labels). In the UK, music is licensed at the track level (and royalties are paid). The U.S. Copyright Act of 1976 identified « musical works » and « sound recordings » that are eligible for copyright protection. The term « musical work » refers to the notes and lyrics of a song or piece of music, while a « sound recording » results from its fixation on the physical media. Copyright holders of music works are granted exclusive rights to license radio and broadcast television programming, including royalties that, as noted above, are collected and distributed by PROs.
By law, record companies and phonograms are currently not entitled to royalties from radio and television programs of their music, except in the case of digital services and webcasts where copyright holders and phonograms receive royalties (see below). This runs counter to international standards, in which performers also receive royalties from over-the-air broadcasting and digital broadcasting. Patent rights can be divided and granted in different ways, on an exclusive or non-exclusive basis.